Feb 10, 2009
Subscribe to:
Post Comments (Atom)
Fellow Artists and Friends
- Adam Volker
- Alberto Mielgo
- Alex Kanevsky
- Anastasia Garcia
- Andrea Wickland
- Andrew R. Wright
- Art and Influence
- barron storey
- Charlie Griak
- Chris White
- Daily Raisondetre
- Daniel Egneus
- Danny Robbins
- David Hughes
- Derek Gores
- Doug Chayka
- Dustin Darnault
- Edward Kinsella III
- Erik Jones
- Francis Vallejo
- Gary Kelley
- George Pratt
- Illustration Art
- jack unruh
- James Gurney
- Jane Radstrom
- Jenny Saville
- Jeremy Lipking blog
- Joe Ciardiello
- John H. Bryan Attorney at Law
- Justin Runfola
- Kansas City Drawing
- Kent Williams
- Kyler Dannels
- Les Herman
- Lindgren and Smith
- Lynn Pauley
- Michael Hussar
- Michael P. Sincavage
- Nathan Fowkes
- Nathan Fox
- Oscar Grillo
- protanimation
- Ralph Steadman
- Retro Vintage Romance- photoblog
- Robert Baxter
- Sarasota Polo Club
- Shawn Yu
- St. Louis Polo Club
- Sterling Hundley
- Sterling Hundley's Show Process
- TAD KCMO Blog
- The Illustration Academy
- Todays Inspiration
- Vintage Posters
- William Wray
4 comments:
this is great man, have you tried adding some noise to give the digital a little texture? It may help to make the digital more unified with the charcoal/pencil.
what do you mean man, Im all ears to the mitch'em.
-trey b.
If you select the flat clolor layer in Photoshop...duplicate it and then go to Filter>Noise>Add noise.
Then you can play with the opacity of that layer until you are happy with it. The added grit to the digital color may feel more like your pencil marks.
-fv
Hey man what up? I see you have been bit by the digital bug too? I agree with Francis about the digital color, needs a little grit. Have your tried scanning water color textures and overlaying those?
Post a Comment